Contents
Foreword by Gilead Nachmani, PhD
PART I: The Caesura as Transparent Mirror: W. R. Bion and the Contact Barrier
1.The Definitions of Mind and Body
2. A System that Continues to Function However Damaged it May Be
3. ‘The Powerful Inanity of Events’
4. The Relationship of the Beta Screen to the Theory of Catastrophic Change
5. Bion, Lévi-Strauss, and Hallucination as ‘Pure’ Culture
PART II: Optic Glass: The Nipple-Tongue as Preconception
6. The Role of Hallucination in a Mother-Infant Observation
7. ‘The Cosmos is a Mirror in which Everything is Reflected’
8. The Disappearing Tennis-Net
9. From a Paternal to a Maternal Conception of the Transference
10. The Paranoid-Schizoid Version of the Imaginary Twin
11. Transition Concepts
PART III: Transformation in Hallucinosis and the Institution of Divine Kingship
12. Annihilation and Transformation in Hallucinosis
13. Catastrophic Fusions: Kings and Diviners Among the Moundang of Chad
14. The Dread of Verticality that Underlies a World of Space and Time
15. The Body as Cosmic Impress
16. The Divine King and the Macrocosm of Destruction
17. The Divine King as Microcosm of Creation
18. The Double Labyrinth
19. The Duration of the Body and the Reverberation of the Image
20. The Fetish as Substitute for the Organ of Psychic Perception
PART IV: The Play Shakespeare Did Not Write
21. The Gifts of the Saturnalian King
22. The Opening and Closing of Shutters on a Window
23. The Hidden God
24. The Relationship of Swallowing and the Prehensive Object
25. Absence of Breath and Cordelia’s Mirror
26. The World’s Deep Midnight
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